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Centre d' Etudes Nucleaires For these measures, the information used is the light polarization plane rotation induced by the magnetic field in a glass probe. This rotation is detected using a polarizer-analyzer couple. The detector is a photomultiplier used with high-current and pulsed light. In a distributed magnet gap: 6 x 3 x 3 cm magnetic fields to measure are gauss, lasting 0. An oscilloscope is used to view the magnetic field from the P. The value of the field is computed from a previous static calibration.

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With bagpipes and live electronics they create a phantasmagorical soundscape. Piobaireachd or Pibroch is a long-established school of bagpipe music, which emerged in the Highlands of Scotland between and and initially found no form of notation due to its complex variations.

Pibroch pieces were categorized according to functional and technical aspects: salutes, laments, marches and gatherings. In the music, a slow musical theme is varied extensively and at the same time furnished with embellishments.

In doing so, an indistinguishability developed between the starting point, structure and expression. Der japanische Komponist und Vokalperformer Tomomi Adachi setzt sich seit über 10 Jahren mit der Geschichte des japanischen Dadaismus auseinander. Schon zu Beginn der 20er Jahre gelangte die Strömung aus Zürich in die japanische Kulturszene, wo sie auf fruchtbaren Boden fiel.

In dem fernöstlichen Kaiserreich waren Militarismus, nationalistische Engstirnigkeit und Zensur ebenso verbreitet wie im Europa des 1. Begleitet wird er dabei von der amerikanisch-chinesischen Vokalistin Audrey Chen und von einem köpfigen Laienchor. No one knew this better than the Fluxus artist Robert Filliou, who declared 17th January to be the th birthday of art.

Following this, the art world has celebrated the planet's oldest child every year. Many radio broadcasters across Europe dedicate their birthday celebrations to the interaction of sound art and pop culture. Deutschlandradio Kultur confronts a veteran of the German underground with a central formation from the modern electronic scene: The percussionist Endruh Unruh from the Einstürzende Neubauten, the group Rechenzentrum and the composer Frieder Butzmann together explore pop as the eternal fountain of youth for sound art.

Like lullabies, familiar voices, the ticking of an old pendulum clock. Insecurity is transmitted by sirens, bells, shouts, claps of thunder. The connection between acoustics and human well-being could hardly be deeper and more complex. For the 1,,th birthday of art, the Ars Acustica group of the EBU, as every year, is organising a European-wide sound art event.

On Art's Birthday , artists from Madrid to Moscow are going to 'make the airwaves unsafe' via satellite, antenna and cable. Real and unreal threats, genuine and illusory home ports, ivory towers and underground guerrillas penetrate their way through to a disorienting sound art night.

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Likewise, a century was enough for the dominant states to agree on the conception and implementation of an international drug control regime. Prohibition backed by law enforcement thus engendered the international market for illicit drugs, although they alone cannot explain its current magnitude. Illicit drugs have also been used by a range social and geo political actors in order to wage some wars and to justify others. In fact, like other flows such as refugees and financial assets, the illegal trade in drugs is born out of a geography of global, regional and local inequities of which it constantly underscores the distribution, variation and evolution. De nerf de la guerre, la drogue en est devenue un de ses enjeux. This strategy has had contrasted results: on the one hand it has allowed the FARC to grow significantly; but on the other hand it has led to extremely violent conflicts with the traffickers and their allies—the far-right paramilitary militias.

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